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Andrea del Castagno
The Last Supper
mk176
1447
Refractory wall of Sant Apollonia
Florence
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Andrea del Castagno
The last communion
mk186
1447 Florence church Sant' Apollonia
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Andrea del Castagno
Boccaccio
mk247
c.1450,detached fresco,98.375x60.675 in,250x154cm,uffizi,florence,ltaly
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Andrea del Castagno
Embrace the Son of the Virgin with Angels
mk261 Florence, Ukrainian Fiji art museum, Kong Dini ?? Boner Corsi 2.
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Andrea del Castagno
Spano
mk261 Florence approximately in 1449 mural 250 x 154 centimeter Fuluolun Sawu Fiji art museum.
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Andrea del Castagno
Christ in the Sepulchre with Two Angels
1447 Fresco Sant'Apollonia, Florence The splendid synopias which were discovered when the frescoes in the refectory of the Sant'Apollonia were detached from the walls are today on exhibit alongside the frescoes themselves. They confirm the opinion that Andrea was a quick and lively artist who drew with ease. , ANDREA DEL CASTAGNO , Christ in the Sepulchre with Two Angels (synopia) , 1401-1450 , Italian , painting , religious
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Andrea del Castagno
Equestrian Statue of Niccolo da Tolentino
1456
Type Fresco
Dimensions 833 cm x 512 cm (328 in x 202 in)
cyf
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| Andrea del Castagno
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Italian
c1421-1457
Andrea del Castagno Location
Italian
c1421-1457
Andrea del Castagno Location
Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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